Turbosound TFX122M-AN

Coaxial Stage Monitor Power — the Turbosound TFX122M-AN

The Turbosound TFX122M-AN is a 1,100 Watt 2-way 12" powered stage monitor engineered for live performance where accurate feedback-resistant monitoring is non-negotiable. Its coaxial driver layout, Klark Teknik Class-D amplification, and onboard DSP make this wedge a credible flagship of the Flashline monitor series. The TFX122M-AN is ideal for travelling musicians, houses of worship, banquet facilities, and night clubs that need an unobtrusive floor wedge with touring-grade sound and fast system setup.

Engineered Details That Set This Wedge Apart

What separates this monitor from generic 12" wedges is the coaxial driver arrangement: a titanium-dome 1" high-frequency compression driver sits at the centre of the 12" low-frequency driver, so both bands radiate from the same acoustic point for consistent monitoring regardless of where the performer stands. The Klark Teknik Class-D amp delivers 1,100 W of output without the bulk of heavy heat sinks, while 16-channel ULTRANET digital audio plus an onboard USB port enable quick control-room or laptop-driven system tuning.

Class-D Amplification and Coaxial Drivers — Power That Travels

Power and portability define the TFX122M-AN for working bands and rental crews. Klark Teknik Class-D amplification produces 1,100 W of output with very little heat generated, allowing a lighter road case load on load-ins and load-outs. The coaxial pairing of a 12" low-frequency driver with low-mass voice coil and a titanium-dome 1" compression driver reaches 125 dB peak SPL at one metre on a 60° horizontal by 40° vertical dispersion waveguide, giving every performer on a wide stage the same mix.

• Amplifier: 1,100 W Klark Teknik Class-D — delivers high output while keeping the cabinet light enough for one-person load-in.
• Maximum SPL: 125 dB peak @ 1 m — comfortably handles loud vocals, brass stacks, and demanding guitar players.
• The high-frequency sound comes from a 1" titanium-dome compression driver mounted on a low-distortion waveguide, keeping vocals and lead instruments articulate without harsh edge-of-wedge coloration.

Onboard Klark Teknik DSP — Sound Tuning Built In

Klark Teknik Digital Signal Processing gives the operator a serious level of control without needing an external system processor. The rear-panel LCD with rotary encoder plus a free PC software download expose input configuration, parametric EQ with Vocal/Speech/Playback presets, crossover points for sub integration (e.g. 100 Hz), positioning modes for stand/ceiling/corner setups, delay in seconds, metres or feet, anti-feedback routines, and user-savable recallable scenes — all accessible directly on the unit.

• DSP: Klark Teknik onboard DSP — dynamic EQ, transparent limiting, subwoofer integration presets, and a feedback destroyer.
• Remote Control: Rear-panel LCD + single rotary encoder / USB PC software — tune the system from FOH without walking up to the wedge.
• DSP firmware update support is delivered through a rear-panel USB-port, keeping the monitor current with future Turbosound firmware releases.

Digital Networking and Stage Connectivity

ULTRANET connectivity is provided through two locking RJ45 connectors that transport up to 16 independent channels of 24-bit digital audio and control data on a single Cat5 cable between compatible digital mixers, stage boxes, and personal monitoring systems. Alongside that, the rear panel carries one balanced XLR combo input plus one balanced XLR output for analog daisy-chaining of additional active loudspeakers or subwoofers.

• Digital Audio: ULTRANET via 2 x locking RJ45, 16 channels / 24-bit — long cable runs over Cat5 ethernet with clean, noise-free transport.
• The 1 x XLR/TRS combo input plus 1 x XLR output on the analog side cover most input sources and support passive daisy-chaining to additional wedges or subs.
• Power: Standard IEC AC cable — standard mains connection, no special power supply needed on stage.

Built for the Road — Cabinet and Construction

The cabinet is constructed from 15 mm (5/8") plywood with fibre glass reinforced composite end cheeks and finished in a highly durable semi-matt black paint, backed by a rugged powder-coated perforated steel mesh grille with reticulated foam. Weighing approximately 16.9 kg, the enclosure measures 302 mm high × 452 mm wide × 505 mm deep and includes a 35 mm pole-mount socket plus a durable side handle for wedge deployment or tripod stand use.

• Cabinet: 15 mm plywood with fibre glass composite end cheeks — touring-grade build that survives nightly load-ins without rattles or resonances.
• Drivers sit behind powder-coated perforated steel with reticulated foam backing, standing up to drumstick hits and the inevitable mic-stand bumps of daily stage work.
• Mounting: 35 mm pole-mount socket + low-profile wedge angle for clear audience line of sight — versatile for FOH, sidefill, or front-line monitoring.

Who This Monitor Is Designed For

This monitor is the right choice for working bands, rental houses, and venue operators who need a 12" powered stage monitor with serious touring-grade output and quick digital integration across a multi-monitor rig. Vocalists and acoustic performers benefit from the controlled directivity that reduces stage wash, while full bands get the headroom to handle demanding guitar rigs and loud drummers without distortion. Houses of worship, banquet facilities, and nightclubs all gain a low-profile wedge that stays out of sightlines while still delivering articulate sound at high SPL.

Turbosound Flashline and Klark Teknik Heritage

Turbosound is recognised worldwide for designing and building some of the most iconic loudspeakers and subwoofers, taking meticulous care to use only drivers designed specifically for each application. The TFX122M-AN is part of the Flashline Monitor Series — a touring-grade wedge range engineered for travelling musicians and high-performance venues — with onboard DSP and amplification from Klark Teknik, the studio and live-signal-processing sister brand within the same pro-audio family, including ULTRANET compatibility for system-wide digital audio distribution.