Boss RC-505 MKII
The Boss RC-505 MKII is the updated flagship tabletop Loop Station, packing five stereo phrase tracks, 32-bit floating-point audio, and 49 Input FX plus 53 Track FX into a single performance unit. Built for beatboxers, vocalists, and multi-instrumentalists, it adds customizable buttons, expanded I/O, and the new Mark Back undo system. The MKII is the right choice for live loopers who need studio-grade sound and total hands-on control from a desktop workstation.
- Five simultaneous stereo phrase tracks with dedicated faders and per-track FX buttons
- 32-bit AD/DA conversion and 32-bit floating-point processing for class-leading audio quality
- Two XLR mic inputs with phantom power, two stereo line pairs, and three stereo outputs
- Full MIDI IN/OUT plus two external control jacks for footswitches or expression pedals
Boss RC-505 MKII — Five-Track Tabletop Looper for Stage and Studio
Built for free-flowing expression on stage and in the studio, the Boss RC-505 MKII is the next-generation tabletop Loop Station that redefined live looping when the original launched. Five simultaneous stereo phrase tracks run through 32-bit AD/DA converters and 32-bit floating-point processing, capturing vocals, instruments, and beatbox performances with full headroom. Two XLR mic inputs with phantom power sit alongside two stereo line input pairs, while three stereo output pairs route custom mixes to front-of-house and monitors. The Boss RC-505 MKII is the right choice for live loopers, beatboxers, and multi-instrumentalists who need a self-contained performance workstation with serious I/O.
Standout Features
Inside the unit, 49 Input FX types and 53 Track FX types — including new Harmony and Electric FX algorithms — run four simultaneous effects in each section across four quick-access banks. A new Mark Back function adds bookmark-style undo/redo, letting performers jump back to a saved loop state mid-performance without breaking flow.
Audio Engine and Recording Capacity
Audio runs at 44.1 kHz with 32-bit float WAV files, giving the unit enough headroom to capture loud sources without clipping. Maximum recording time reaches approximately 1.5 hours on a single track or roughly 13 hours across all 99 onboard memories.
- Sampling Frequency: 44.1 kHz
- Data Format: WAV (32-bit float, stereo)
- Maximum Recording Time: ~1.5 h per track / ~13 h total
- Memories: 99
Inputs, Outputs, and Control Surface
Connectivity covers XLR microphones with phantom power, 6.3 mm jack instruments, MIDI IN/OUT, and a 6.3 mm headphone output for silent monitoring. Two external control jacks accept up to two footswitches or an expression pedal each. The unit ships with an AC adaptor and owner's manual, ready to plug in and play.
- Inputs: XLR (with 48 V phantom), 6.3 mm jack, MIDI IN
- Outputs: 6.3 mm jack, MIDI OUT, 6.3 mm headphone jack
- Control Jacks: 2× CTL/EXP (TRS)
- USB: USB B type for backup and DAW integration
Onboard Effects and Rhythm Engine
Across the effects engine, 49 Input FX types and 53 Track FX types sit ready with four simultaneous slots per section and four banks for instant recall. Over 200 onboard rhythm patterns and 16 drum kits keep loops locked to tempo.
- Input FX: 49 types — four simultaneous slots per section
- Track FX: 53 types — four simultaneous slots per section
- Rhythm Patterns: 200+ onboard — keep loops locked to tempo
- Drum Kits: 16
Tips
Inputs
Outputs
USB
SD Slot
UK/EU Power supply included
Made in
Malaysia
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Stiprās puses
- Sound Quality: Customers consistently praise the excellent sound quality produced by this device, noting its clarity and richness.
- Feature Richness: The looper offers a wide array of features, including multiple tracks, flexible modes, and numerous effects, allowing for diverse creative possibilities.
- Intuitive Operation: Many users find the device intuitive and easy to learn, enabling them to achieve good results quickly despite its advanced capabilities.
- Improved Version: Customers highlight that this version significantly improves upon the first generation, retaining its best aspects while adding substantial enhancements.
Vājās puses
- Plastic Casing: Some users express concern about the plastic casing, suggesting it might not be durable enough for stage use or accidental drops.
- Noise Issues: A few customers report that the preamps can be noisy and that there is some form of noise gating, regardless of settings.
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